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Season 1, Episode 6 - "Footsteps in the Snow"

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23 December, 1993

The final instalment discusses human exploration of Antarctica, in particular the mission led by Captain Robert Falcon Scott, whose team died on the way back from the South Pole. Attenborough visits the hut at Cape Evans where Scott and his team spent the winter of 1911. The freezing temperatures have preserved everything exactly as it was, including clothing and bedding. It shows their surprisingly well-equipped laboratory and the darkroom where the group's photographer, Herbert Ponting, developed his films. Attenborough contrasts the transportation used by Scott (initially motor sledge, ponies and dogs before ending up on foot) with today's helicopters. The episode also details the scientific work in the modern human bases in Antarctica, especially Mawson Base and its observation of Adelie penguins (partially through tracking devices). The film concludes that although working in Antarctica is now much easier than during the early days of exploration, human footsteps on the continent are still exceedingly ra

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Premiere: 18 November 1993

Type: TV Show

Genres/Tags: Documentary, Nature

More Information

Over the course of the series, the seasonal effect on the continent is explored, from one of the harshest winters on the planet to the arrival of spring, which welcomes a population of ocean travellers returning to breed. Then, in the summer, creatures such as seals and penguins struggle to raise their young before winter once again sets in. At this point, the ice sheet doubles and animals must leave to find food.

David Attenborough accompanied a 20-strong crew to Antarctica and spent three years filming the series. They had to contend with monolithic glaciers and extreme weather conditions, including mountainous seas, 160 km/h blizzards and harsh temperatures.

Once again, following on from The Trials of Life, the team used the latest camera technology and techniques, and had to travel into territory that had been previously inaccessible to filmmakers. For example, to photograph the wildlife of the sea, boats, divers, suspended capsules and remotely controlled cameras mounted on inflatables were used. Particularly dangerous to divers were leopard seals and other predators, so some underwater sequences necessitated the use of cages for safety. The team also used a small, steel-hulled yacht, the Damien II. It had a retractable keel, which enabled the vessel to venture into shallow bays and land camera crews on to remote islands, where they could remain in contact via radio. A steadicam was used to obtain close-ups of fighting fur seals, with another person carrying a pair of wooden poles close by, in case one of the creatures attacked the human visitors.

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