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Season 1, Episode 13 - "The Final Episode"

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20 August, 2005

A dark formless flow that Maniwa identifies as Lil' Slugger starts to overrun Tokyo as a result of Maromi's disappearance. Meanwhile in Ikari's world, Ikari comfortable hangs about his world with Tsukiko tagging along. With the help of the old man, Misae appears and says goodbye to Keiichi as she fades away. Ikari realizes that the world he is in isn't real and tears it apart as the building blocks of the world turn out to be Maromi dolls. Back in their dilapidated world, Lil' Slugger appears as Maniwa appears with a weapon that can destroy Lil' Slugger... or not.

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Premiere: February 2004

Type: TV Show

Genres/Tags: Mystery, Anime, Animated, Drama, Thriller

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Symbolism plays a vital part in the revelation of the plot, both on the episodic level and in the series overall, a better understanding of which provides more insight into the characters and the story for the original Japanese audience, but to a lesser extent for those unfamiliar with Japanese folklore. Satoshi Kon weaves social commentary into Paranoia Agent. Commentary on his views of school peer pressure, loss of identity, prevalence of cultural icons (such as Maromi, often seen as a criticism of highly marketable anime mascots), ambiguity of morality, nature of social and personal growth, criticism of the harsh conditions of Japanese animators, and criticism of the otaku subculture is found throughout the show. Much of the commentary can be tied to Takashi Murakami's superflat manifesto, with the views of how reality and fantasy are being blurred in postwar Japan. Kon has been critically acclaimed for making social commentary a major and effective part of his work.