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Harry Potter and the Half-Blood Prince: Review


Kids' stuff is a thing of the past in "Harry Potter and the Half-Blood Prince." Suddenly looking quite grown up, the students at Hogwarts are forced to grapple with heavy issues of mortality, memory and loss in this sixth installment in the series of bigscreen adaptations of J.K. Rowling's Potter tales. Dazzlingly well made and perhaps deliberately less fanciful than the previous entries, this one is played in a mode closer to palpable life-or-death drama than any of the others and is quite effective as such. Delayed by Warner Bros. from a late 2008 release date so as to spread the wealth after "The Dark Knight" scored so mightily last summer, this "Prince" is poised to follow its predecessors as one of the year's two or three top-earning films.


After sitting out "The Order of the Phoenix," screenwriter Steve Kloves happily returned to once again skillfully condense a massive book into manageable dramatic form; among many tough narrative decisions, he has cut back on the violent mayhem surrounding the murderous climax and put off the introduction of Minister of Magic Rufus Scrimgeour until the next episode.


Director David Yates, after a prosaic series debut on the prior film, displays noticeably increased confidence here, injecting more real-world grit into what began eight years ago as purest child's fantasy; messenger owls and chattering house elves have been superseded by a frank Underground tea-room flirtation, school security checks and raging teenage hormones. The sets have been stripped down to reduce Hogwarts' fairy-book aspects and emphasize its gray medieval character, and even the obligatory Quidditch match is staged with greater attention to spatial comprehensibility than ever before.


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