Rabbit Hole is simplistic on the outside. But once opened, the honest portrayal of grief can leave one with a myriad of emotions that strengthen the further you get from the film. Recovering from the loss of a child is a process that people deal with in different ways, and that strain can pull the fibers out of a marriage and fray the family around them. Yet, riding performances that examine the depth of real human emotion and dimension, this isn’t the one-trick pony that it could have been. Instead of treating the theme with nothing but morose sadness, director John Cameron Mitchell utilizes levity and threads it throughout with an earnestness that is at once unfamiliar yet comforting. So hit the jump to follow me further down Rabbit Hole.
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