Carrie - Review

Remaking a landmark film ought to be a perfectly respectable proposition. After all, we see new versions of Shakespeare or Tennessee Williams all the time (whether on stage or screen). What's wrong with doing an updated version of a beloved Hollywood movie? In theory, nothing, yet in practice, it seldom works out well. There's something about how movies, with their singularity of mood and density of detail, imprint themselves on our imaginations that places the prospect of a remake somewhere between a rock and a hard place. Think about it: If you follow the original too closely, duplicating signature shots or lines of dialogue or acting flourishes, then you're stuck in a mode of mindless imitation — and what's the point of that? People might as well just watch the great version they already know (or, for new generations, have yet to discover). But if you seriously update the movie in question, making a lot of eyebrow-raising changes, then you risk violating the essence of the original — or leaving out too much of what everyone loved about it in the first place. When you get down to it, a ''new'' version of a classic is a contradiction in terms.

Read More...,,20483133_20721944,00.html


Want to comment on this? First, you must log in to your SideReel account!