Jackass Number Two Review, by Nathan Lee of The New York Times

When the supermasochist Bob Flanagan nailed his penis to a piece of wood in front of a live audience, it was called performance art. When Chris Pontius sheathes his penis in a cotton puppet, dangles it in front of a live snake, and then braces himself for the fangs while his buddies double over in glee, it's known as "Jackass." "Puppet Show" is the opening bit in "Jackass Number Two," the second feature-length collection of stunts, pranks and self-inflicted trauma from Johnny Knoxville and his merry band of skate-punk yahoos. Much of what follows is too obscene to be described here; suffice to say that disreputable things are done with the ejaculate of a horse. It is also too exhilarating to spoil. Debased, infantile and reckless in the extreme, this compendium of body bravado and malfunction makes for some of the most fearless, liberated and cathartic comedy in modern movies.

To read the rest of this review, visit The New York Times


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