Alexandra Review, by Ken Fox of TV Guide

Russian director Alexander Sokurov brings a political edge to the intra-family dynamics of his somber MOTHER AND SON and enigmatic FATHER AND SON with this relatively straightforward tale of a grandmother's trip to an embattled region of Russia for a visit with her grandson, an Army captain she hasn't seen in seven years. Although the locale is never mentioned, the circumstances strongly suggest her grandson is stationed in Chechnya, but it could be anywhere where wars are fought and armies occupy foreign lands.


After a lengthy, uncomfortable train ride in a box car filled with young soldiers, elderly Alexandra Nikolaevna (Galina Vishnevskaya) finally arrives at a dusty military base in the middle of some arid nowhere. She sees soldiers everywherem, and they're little more than rambunctious, overgrown boys, impossibly young men far from home who know little of life outside of the army. But the officer she's come to see -- her 27-year-old grandson, Denis (Vasily Shevstov) -- is nowhere to be found. Alexandra is shown to a private barracks and the following morning awakens to find Denis fast asleep on the cot next to her. He's obviously exhausted, but gives her a tour of the camp where soldiers carry old guns, drive reeking tanks that look like remnants from Afghanistan, and sit around waiting for lunch to be served. The heat, the smells and the tedium are unbearable. Denis answers Alexandra's barrage of questions as best he can, and that night, unable to sleep, she wanders across a mine field to the sentry box at the edge of the encampment, where she questions the guards on duty, offers them meat pies and eventually falls asleep. Her truancy panics Denis, but the following day she waves off the solider assigned to mind her and walks to the nearby town, a bombed-out shambles that was once a habitable city (Grozny, perhaps?). Alexandra finds her way to the local market where she promised to buy cigarettes and cookies for the soldiers back at the base, and encounters some of the contempt the young Caucasians hold for the occupying Slavs. But she also makes a friend in a retired schoolteacher (Raisa Gichaeva) who has managed to survive the siege on her city by selling cigarettes and who, Alexandra discovers, is not unlike herself.


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Alexandra

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