Shivoncarla

FRIDAY NIGHT WITH JONATHAN ROSS - SEASON EIGHT (CANCELLED)

Before Sachs-gate felled his career, Jonathan Ross was top of the chatshow tree. Now he makes do with Gino D’Acampo while Graham Norton entertains Tom Cruise.

THE JONATHAN ROSS SHOW - SEASON FIVE

Preferred it when it was "Friday Night with Jonathan Ross"...

WILD 'N OUT - SEASON THIRTEEN

There is a reason why this show has lasted over 10yrs. The fun and energetic show features a number of comedians and entertainers who take part in a competition featuring a different celebrity every week. Who doesn't love a little bit of roasting? A real MTV classic.

CHILLING ADVENTURES OF SABRINA - SEASON/ PART ONE

Chilling Adventures ends up being a surprisingly complex interrogation of power, aware both of the necessity of women claiming it and of the consequences that usually follow when that power is used for revenge.

BLACK SUMMER - SEASON ONE

It's great if all you're looking for some mildly riveting jump scares and the tension we've come to expect from the zombie genre, but if it's in-depth storytelling you want, this doesn't make the cut.

THE ESCAPE ARTIST - SEASON ONE

The sheer quality of acting drew us into a superior legal thriller that got creepier and creepier until it threatened to spill over into gothic melodrama.

POSE - SEASON ONE

Ten out of five stars. Pose glittered on the surface, but its pain was drawn from a deep well.

Timewasters is no waste of time. The show is about a filthy lift in a dilapidated block of flats, becomes a time machine, sending a struggling four-piece black jazz band back to the roaring 20s. It is hilarious.

LITTLE BRITIAN - SEASON THREE

While it may not paint a flattering picture of Britain, it does paint a hilarious one.

THE BILL - SEASON TWENTY-SIX

Running for over 25 years, The Bill was Britain's longest running police drama series, finally outstripping Dixon of Dock Green on 10 August 2005. It adapted to meet the challenges of the highly competitive world of independent television, evolving from a standard post-watershed police procedural drama, through a period as a twice- and, later, thrice-weekly early evening ratings grabber with stand-alone plots, then as a twice-weekly one-hour drama with ongoing soap-style exploration of the troubled personal lives of its police officers. The Bill quickly became a classic British soap.